For those of you who are wondering if you can have it all. The answer is yes, but there’s a catch. The arc of life is long, so don’t expect to have it all at the same time.
—Valerie Jarrett: Be Flexible. Be Resilient. (via khuyi)
(via dpstyles)
—Valerie Jarrett: Be Flexible. Be Resilient. (via khuyi)
(via dpstyles)
Floyd Bennet Field by FreeVerse Photography on Flickr.
We took an overnight camping trip to Floyd Bennett Field. A small campground in Brooklyn that’s near the old runways and some old aircraft hangars. I forgot my camera, but I found some good pics on flickr.
Came across this treatise on love today.
Have you ever been in love? Horrible isn’t it? It makes you so vulnerable. It opens your chest and it opens up your heart and it means someone can get inside you and mess you up. You build up all these defenses. You build up a whole armor, for years, so nothing can hurt you, then one stupid person, no different from any other stupid person, wanders into your stupid life… You give them a piece of you. They didn’t ask for it. They did something dumb one day, like kiss you or smile at you, and then your life isn’t your own anymore. Love takes hostages. It gets inside you. It eats you out and leaves you crying in the darkness, so simple a phrase like ‘maybe we should be just friends’ or ‘how very perceptive’ turns into a glass splinter working its way into your heart. It hurts. Not just in the imagination. Not just in the mind. It’s a soul-hurt, a body-hurt, a real gets-inside-you-and-rips-you-apart pain. Nothing should be able to do that. Especially not love. I hate love.
-Neil Gaiman in the sandman
Rene Gruau
rientro notturno on Flickr.
abbiamo fatto un’ po’ tardi …
If you don’t know, Beck is releasing an album as sheet music.
The opening up of the music, the possibility of letting people work with these songs in different ways, and of allowing them a different accessibility than what’s offered by all the many forms of music available today, is ultimately what this collection aims for. The songs here come with piano arrangements and guitar chords—as well as parts for brass instruments, in one case, and ukulele chords, in others—but personalizing and even ignoring the arrangements is encouraged. Don’t feel beholden to what’s notated. Use any instrument you want to. Change the chords; rephrase the melodies. Keep only the lyrics, if desired. Play it fast or slow, swung or straight. Take a song and make it an instrumental or an a cappella. Play it for friends, or only for yourself. These arrangements are starting-off points; they don’t originate from any definitive recording or performance.

